Gallery 09
BIEAF2024 - Old Future
World Artist Invitation Exhibition
BIEAF Steering Committee announces BIEAF2024 participants. 390 artists were selected from 65 countries. The online exhibition will run from September 10, 2024 to February 28, 2025. During this period, offline exhibitions will be held at various galleries in Busan.
Haneh Seyed Younessi
Iran
Our deep ignorance comes from our tendency to accept and spread falsehoods. The pursuit of comfort and materialism makes us believe false statistics and data, leading us to seek short-term pleasures with little regard for the future. This mindset has given rise to climate change and drought, endangering our precious natural resources—water, air, soil, and wildlife.
Although I studied in the field of physics, I have been engaged in painting since I was a child because of my personal interest, and I have also been doing sculpture for many years. I also have 11 years of experience in teaching art to children.
Drough
50×70 Acrylic on convas 2016
Hanife Eroglu
Turkey
Facing herself, connecting past self (memory self) to future self, destroying the old cacoon to re-born out of it, experiancing the phisical and emotional existance, questioning and finally transforming from being to existing. Being is natural and existing is the result of actions with intentions. Thank you, greetings from Turkey.
Hanife Eroğlu is a Contemporary Turkish Artist who questions our reasons for existence and produces performances, installations, paintings and ceramic works by blending the processes of becoming human and transformation with today's technological products using mythological concepts and symbols.
We, Turkish artists, are interested in Korean culture and art, and I think we have established a brotherly bond between two cultures (Turkish and Korean). BIEAF serves to strengthen this bond with these fairs. Thank you, greetings from Turkey.
Hanife Eroğlu Conceptual Artist | Istanbul, Turkey BORN IN 1976 Contemporary Turkish Conceptual Performance Artist Lives and works in Turkey. CREDITS Performance Artist Painter - Ceramic Artist Marmara University Faculty of Fine Arts Painting Department Degree National Exhibitions National Art Workshops Works in National Private Collections
İsimsiziM Ben 1
(No name that I am 1)
150 cm x 2000 cm Performance Photography, Photograph, Photograph on Photo Paper, /2002
Hassini yacine
Algeria
It's a folk traditional painting of life in algeria
Artist introduction.
Hassini Yacine is a passionate artist who has taken his love for art to new heights. From a young age, he showed a deep interest in creativity and the beauty that surrounds the world. Hassini is an artist who not only paints with colors and brushes but also paints with emotions and experiences. His work transcends reality, transporting those who observe it to distant places and profound dreams. In his pursuit of artistic perfection, Hassini discovered beauty in imperfection, understanding that each stroke and each brushstroke tells a unique story.
Women of Algiers s casbah
50x40 Oil on Canvas 2024
HELA SARRAJ
TUNISIA
In my work ocean mystic I focus on the marine world which is beginning to suffer because of human pollution and that we must preserve its beauty. The artist shows, in her own way, her story by moving colours ; her works reflect a dreamlike, unreal, suggestive, surrealist side ... an explosion of rythmic emotion that testifies to a gestation and an influence on what surrounds us, on this world which is changing, a serenity that is still with optimistic connotations. These agitations of colors testify to gestation and influence on what surrounds us, on this changing world,a serenity that is still there with tones, full of hope and positivity as a child fascinated by his own imaginary world like a game of senses. She materialize her dreams in an expressionism far from being static. Her painting vibrate to the energetic and instinctive rythms of her senses.
The abyss, a world that fascinates and intrigues us. A world has remained unknown and inaccessible, which has freed the imagination.
I think it's the only place that human beings haven't yet contaminated and polluted;
My depths are bathed in blue darkness, my creatures mingle and cohabit between the corals. Flowing lines dancing to the rhythms of sea currents."
The artist shows, in her own way, her story by moving colours ; her works reflect a dreamlike, unreal, suggestive, surrealist side ... an explosion of rythmic emotion that testifies to a gestation and an influence on what surrounds us, on this world which is changing, a serenity that is still with optimistic connotations.
It's always interesting to participate in an international event, to make yourself known and discover the works of other artists; A cultural exchange that brings artists and art lovers closer together. The virtual world is nowadays an important factor in transmitting and communicating. Education and Professional experiences : -1992-1996 Bachelor’s Degree in Graphic Design at ITAAUT - Institut Technologique d’Art et d’Architecture et d’Urbanisme de Tunis -1996-2019 Fine arts teacher in a high school in Tunis -2014-2023 Member of the UAPT - Union of Tunisian plastic artists -2013 - 2023 Member of the FTAP - Tunisian Federation of the artists painters Bureau. -2020-2022 Professional master’s degree in conservation restoration of heritage assets (Wood speciality) - 2023 purchasing commission at the ministry of culture. Personnal Painting exhibitions : - 2019 Espace Soho galery, nabeul, Tunisia. -2018 Saladin Galery, Sidi Bousaid, Tunis, Tunisia. -2017 Royal Thalassa Hotel, Monastir, Tunisia. -2016 Belart Galery, Menzeh 6, Tunis, Tunisia. Participation in collective exhibitions : 2024- Participation in a 12 edition of Art Fair of Paris from to porte de versaille in collaboration with MONATGALLERY Madrid. 2024-Collective exhibition with MONATGALLERY MADRID in Madrid
MYSTIC OCEAN
60 x 60 cm ACRILIC 2024
Helena Fung
Hong Kong, China
This old village will be demolished soon, looking forward for the future development. The sunset atmosphere just reflected the disappearing of this village as the time goes! Interested in painting since childhood. Participated a number of International watercolour exhibitions in Malaysia, Taiwan, Poland, France, Italy, Russia, Taiwan, Vietnam, Japan, Myanmar and Vietnam since 2018, achieved excellence award in Russia in 2022, merit award in France in 2021.
Sunrise, sunset!
38x56cm Watercolour / 2024
Heo Tae-Myung
South Korea
말즘(pondweed)는 수생식물이다. 깨끗한 물에 잘 자라며 흐르는 물에도 흔들리며 아름다운 물속의 세상을 만든다. 그러나 물이 오염되어 이제는 도시의 강에서는 볼 수 없는 물풀이 되었다. 그리고 어린 시절에 경험한 물풀의 기억으로 늘 그립다. 물풀 주변에 있는 물고기를 찾으러 갈매기와 어린 아이들은 하루 종일 하천가를 돌아다녔다. 그 기억은 다시 복원되어야 하는 내 상상 속의 형상중 하나이다. 3D로 형상과 맵핑을 하여 디지털로 출력을 하였다.
Pondweed is an aquatic plant. It grows well in clean water and sways in flowing water, creating a beautiful underwater world. However, the water has become polluted, so now it is an aquatic plant that cannot be seen in city rivers. And I always miss the aquatic plant I experienced as a child. Seagulls and young children walked around the river all day looking for fish around the aquatic plant. That memory is one of the shapes in my imagination that needs to be restored. I made the shape and mapped it in 3D and printed it digitally.
작업시간이 부족한 생활인으로 미술을 하기에 컴퓨터작업이 매우 도움이 된다. 벡터의 형태로 3차원적인 형상을 만들고 그 개념적 형상의 표면에 매핑을 한다. 그 매핑의 재료는 손으로 만들거나 사진등을 가공해낸 색과 질감이다. 그렇게 상상 속의 형상을 만드는 일은 대단히 재미가 있다. 이런 작업은 영상이나 물리적 형상으로 점점 더 시간과 공간 속으로 확장되어 질 가능성을 가지고 있기도 하다. 그러나 먼저 표현의 주제가 되는 나의 기억과 우리 사회가 잃어가는 많은 오래된 것에 대한 성찰이 중요하다. 나는 그런 그리움과 복원해야할 자연을 표현하는 것에 많은 시간을 보내고 싶다. As a person who has limited working hours, computer work is very helpful for art. I create a three-dimensional shape in vector form and map it on the surface of the conceptual shape. The materials for the mapping are colors and textures made by hand or processed from photographs. It is very fun to create imaginary shapes like that. This work has the potential to expand into time and space as images or physical shapes. However, it is important to first reflect on my memories, which are the subjects of expression, and the many old things that our society is losing. I want to spend a lot of time expressing such longing and nature that needs to be restored." "오래된 미래! 요즘 어디에서나 많이 들 쓰는 주제이다. 정치.문화적으로 굴욕과 강제적 변화를 맞아야 했던 약소국이나 원주민의 정신과 문화는 이제 돌아갈 수 없을 정도의 변화를 가지고 있다. 우리는 그런 세상에 별 저항도 없이 자연스럽게 살고 있다. 그럼에도 불구하고 우리에게는 복원 시키고 회복해야만 하는 자연과 역사가 너무 많다. 지구의 환경과 인류의 정신적 문화는 심각하게 고통을 느끼고 있다. 오래된 미래! 매우 시효 적절한 주제가 아닐 수 없다. The old future! This is a topic that is often used everywhere these days. The spirit and culture of the weak countries and indigenous peoples who had to face political and cultural humiliation and forced change have now changed to the point where they cannot return. We live in such a world naturally without much resistance. Nevertheless, we have too much nature and history that we have to restore and recover. The environment of the earth and the spiritual culture of mankind are seriously suffering. The old future! This is a very timely topic."
pondweed-2024-1
60 X 60
3D production and digital printing / 2024
Hifza Khan
Pakistani
Since her childhood, she has been deeply inspired by the Mughal architecture, Mughal painting ("miniature paintings"), wall painting ("fresco), etc. The Mughal monuments in Lahore, Pakistan, are renowned for their grandeur and architectural magnificence that reflect the rich cultural heritage and artistic brilliance of the Mughal Empire. However, behind the façade of grandeur, there are historical events and hidden stories that reveal a darker and more mysterious side of the Mughals. Similarly, there exist several individuals in our society who hold high positions, profess to be respectable, virtuous, family-oriented, and possess great prestige, yet they conceal their darkest and ugliest sides from society. Painting inspiration from the Mughal architecture, the artist has depicted Mughal windows and jharokha in her painting, symbolizing respectability, nobility, royalty, great dignity, and grandeur. Behind these windows in her painting, she has portrayed female portraits and figures that create an aura of unknowing mystery.
Born in 1994, Hifza Khan is a visual artist based in Lahore, Pakistan. She completed her BFA from the Collage of Art and Design, University of the Punjab, Lahore in 2018. Hifza then went on to pursue and complete an Mphil in Studio Practice from the Collage of Art and Design, University of the Punjab, Lahore in 2023.She has exhibited her work in group exhibitions at Al Hamra Arts Council, Ejaz Art Gallery, O Art Space, Pakistan Art forum, Artscene Gallery, Artcade, Ana Molka Award Show. Her oil-based work primarily revolves around the various human figures which are painted super realistically with extreme details. Her style of painting is hyper realistic and conceptual style is social realism. She has created their artworks in mystery.
Mystery behind the windows
36”x18” Oil on canvas / 2024
HILMO HILSON KAHRIĆ
BOSNIA AND HERZEGOVINA
The painting "Flower Nocturne" is a vibrant abstract artwork created with acrylic on Lesomal board. It features dynamic swirls of green, red, yellow, and white colors, forming an impressionistic depiction of floral motifs. The bold, thick brushstrokes and the use of palette knife techniques give the painting a three-dimensional texture. The colors appear to move and blend with each other, imparting an energetic and lively aura to the piece.
Hilmo Kahrić Hils, born in 1955 in Zenica, completed the School of Applied Arts and the first year at the Academy of Fine Arts in Sarajevo. He has participated in numerous group and solo exhibitions in BiH and internationally, including Zadar, Split, Zagreb, Tuzla, Venice, Sarajevo, Zelenkovac, and Zenica. His works feature various painting techniques, golden tones, and influences from the Renaissance and Baroque. He combines realistic and abstract forms, specializing in portraits and interior design.
FLOWER NOCTURNE
37 x 34 cm Acrylic on Lesomal Board / 2024
Hong Soo Woo
South Korea
작가는 지구를 하나의 인큐베이터 공간이라 생각하며 그 안에서 펼쳐지는 소중한 생명의 탄생과 소멸을 작품에 담아낸다.
작품 “자연을 담다” 시리즈는 대자연의 변화무상한 모습들을 점, 선, 면과 유기적인 형태들의 탈착을 통해서 세포의 탄생부터 자연이 형성되는 과정을 이야기한다. 작은 세포처럼 쪼개진 색과 면들이 얽히고설켜서 만들어낸 마티에르를 작가는 자연의 결이라 칭하며 우리 내 삶의 굴곡과도 닮아있다고 말한다.
작품에서 드러나는 형상은 자연을 재현한 것이 아니다. 나의 작품은 자연의 생성과 소멸을 사유와 성찰로 형상화하며 그 안에서 근원적 자아를 찾아가기 위한 미학적 몸짓이다.
작품을 감상하는 관객들의 내면적 사유와 성찰의 시간이 되길 바랍니다. "" 홍수우 Hong Soo Woo Artist 수원대학교 미술대학원 조형예술화과 서양화 졸업 개인전&부스전 16회 2024 k-아트페어대전 (대전컨벤션센타) 2024 한일동행전 (교토시교세라미술관) 2024 조형아트서울 (coex) 2024 AAC아름다운동행전 (안젤리미술관) 2024 안산미술협회전 (김홍도미술관) 2023.Seoul Art show (coex) 2023 한.일현대미술동행전 (인사아트센터) 2023 뱅크아트페어 (SETEC) 그 외 다수 2024 경기미술협회 올해의 작가상 수상 2020.대한민국미술대전비구상 우수상 그 외 다수 現) 한국미술협회회원 한일현대미술작가회회원 안산미협기획이사
홍수우 작가의 작품 “자연을 담다” 시리즈는 대자연이 보여주는 다양한 형상을 점, 선, 면과 반복적인 패턴 그리고 유기적 형태들을 이용해서 자연의 이야기를 담아내는 추상작품입니다. 작가는 거대한 우주의 은하계와 행성들 속에서 유일하게 살아 숨 쉬고 있는 지구를 주제로 이야기를 만들어 가며 탄생과 소멸 속에서 신의 사랑과 축복 그리고 우리 내 삶과 죽음의 이야기들을 다루고 있습니다. 홍수우 작가의 작업은 생명체를 이루고 있는 세포들의 탄생으로부터 시작하여 자연이 형성되어가는 과정을 담아내기 위하여 물감을 차곡차곡 칠하고 올리며 면들을 분할 하고 결합해 나가는 과정들을 수차례 반복하는 고행 작업을 통해서 자연의 소멸과 탄생의 의미를 작품에 담아냅니다. 작품에 작은 세포처럼 쪼개진 색과 면들이 얽히고설켜서 만들어낸 마티에르를 작가는 자연의 결이라 칭하며 우리 내 삶의 굴곡과도 같은 모습이라 말합니다. Lucky Butterfly_116.8cm×72.7cm_Acrylic on canvas_2024 작품은 사계절 나비의 탄생과 소멸을 표현한 작품으로 행운과 지혜가 넘쳐난다는 의미를 담고 있습니다. 나비는 로마 신화의 마음과 영혼의 여신 프시케를 상징하고 동서고금을 막론하고 영혼을 상징했습니다. 이 때문에 저승과 이승을 이어주며 신들과 소통하는 매개체로 상징됩니다. 나비는 대개 벌과 함께 꽃가루를 옮겨 꽃의 번식을 돕는 역할을 하고 꽃에 앉으면 발로 맛을 보며 맛있는 꿀을 찾아낼 정도로 감각이 뛰어나다고 합니다. 작품에서 드러나는 형상은 자연을 재현한 것이 아니며, 홍수우 작가의 작업은 자연의 생성과 소멸을 사유와 성찰로 형상화하며 표현하고 그 안에서 근원적 자아를 찾아가기 위한 미학적 몸짓이라고 할 수 있다. 작품을 감상하는 관객들의 내면적 사유와 성찰의 시간이 되길 바랍니다. Containing Nature" Hong Soo Woo Artist "Containing Nature" series is an abstract work that uses dots, lines, planes, repetitive patterns, and organic forms to tell the story of nature, showing various shapes that Mother Nature shows. The artist tells a story about the Earth, the only living and breathing planet in the vast universe, and deals with the love and blessings of God and the stories of our lives and deaths His work captures the process through which nature is formed, starting from the birth of the cells that make up living things. To this end, the meaning of the disappearance and birth of nature is captured in the work through the ascetic work of repeating the process of applying and applying paint one by one, dividing and combining the surfaces several times. The artist calls the matière created by intertwining small cell-like colors and planes in his work the breath of nature, and says that it is similar to the twists and turns of our lives. The work, Lucky Butterfly_116.8cm×72.7cm_Acrylic on canvas_2024, expresses the birth and death of butterflies in the four seasons, and contains the meaning of overflowing luck and wisdom. The butterfly symbolizes Psyche, the goddess of the mind and soul in Roman mythology, and has symbolized the soul regardless of East or West, past or present. For this reason, it is symbolized as a medium connecting the afterlife and the living world and communicating with gods. Butterflies usually play a role in helping flowers reproduce by transferring pollen together with bees, and it is said that they have such excellent senses that they can find delicious honey when they land on a flower. The shapes revealed in the work are not reproductions of nature, and Artist Hong Soo Woo’s work can be said to be an aesthetic gesture that embodies and expresses the creation and death of nature through thought and reflection, and finds the fundamental self within it. The artist hopes that the viewers who appreciate the work will have a time of inner thought and reflection.
Lucky Butterfly
116.8 ×72.7 cm Acrylic on canvas / 2024
Hong Youngyi
South Korea
자연을 보고 걸으며 느끼기를 좋아하는 나는 내면에 쌓인 심상과 삶의 이야기를 '휴'의 주제로 작업하고 있다. 몇 년 전 삶에 지쳐 있을 때 동서 유럽 곳곳을 발길 닿는 데로 자유 여행한 경험이 있다. 여행은 나에게 새로운 생각과 새로운 마음을 덧입혀 주었다. 차를 랜트해 발길 닿는 곳곳에 텐트를 치고 쉼을 가졌던 추억을 동화 적 상상력으로 표현한 작품이다. 빠르게 변화하는 시대를 살아가고 있는 현대인들은 정서적으로 지친 삶을 살아가고 있다. 이러한 사회적 변화의 현상 속에서 작가가 경험한 쉼의 심상을 표현한 작품을 통하여 잠시라도 쉼을 얻고 위로 받고 힐링 되었으면 한다.
개인전15회(갤러리너트공모선정, 갤러리더플럭스공모선정,at갤러리,갤러리선 초대전 등) 아트페어국내외24회(K아트페어대전, 부산국제화랑아트페어,인천아시아아트쇼,성남아트페어,서울아트쇼, 홍콩컨템포러리, 루브르아트쇼핑, 대한민국미술축전 등) 성남문화재단큐브미술관기획 성남의얼굴전 ,'위로'(2022),화성문화재단플랫폼선정작가(2023),화성문화재단공모작가탐방유튜브제작, 갤러리K제휴작가선정전 단체전 200여회(한국미술협회전,경기미협전,성남미술협회전, 분당작가회정기전, AAA정기전, 한일현대미술가회전,해양국제미술축전, 단원미술대전수상작가초대전,글로벌신조형전외) 수상:한국미술진흥원특별기획전 우수작가상, 성남시예술인상 경기예총회장상,시의회의장상, 대한민국미술대전 특선 등 경력: 한국미술협회 이사, 경기미협상임분과위원, 모란현대미술대전운영위원, 세계평화미술대전심사위원, 롯데백화점MBC문화센터강사 역임 현재: 한국미술협회, 성남미술협회 조형분과장, 분당작가회, 아시아미술가협회(AAA),한일현대 미술가회 회원
당신의 동산에서
72.7x72.7cm
Acrylic on canvas / 2022
Hong O-Bong
South Korea
나는 퍼포먼스 작가이다. 그리고 퍼포먼스 페스티벌 생산자다. 그리고 1981년 여름 공주야투자연미술제 때 <호파기>로 퍼포먼스를 시작한 이래 국내외 수많은 곳에서 작품 발표를 해온 나는 2000년부터 본격적으로 퍼포먼스 페스티벌을 기획하고 진행하면서 생산자의 입장이 되었다. 특히 국제 퍼포먼스 페스티벌을 생산해 낸다는 것은 무척 어려운 일로 그에 따른 애환이 많았다. 이는 수많은 에피소드의 거소로 나를 보다 강하게 하는 작용과 반작용의 실체가 되기에 충분했다.
국제 페스티벌은 국내 페스티벌과는 다르게 난이도가 상당히 고차원적이다. 특히 나라별로 다른 문화와 그에 따른 언어의 난해성 그리고 작품 해석에 가해지는 이질감으로 긴장의 폭은 깊을 수밖에 없다. 이러한 조건 하에 융합과 상호 이해를 바탕으로 하모니를 만들어 관객과 함께할 때 긴장은 상당하다. 특히 일반 문화예술도 아닌 전위예술의 총아인 퍼포먼스 아트이기에... 그러나 이 모든 것이 잘 전개되어 관객과 함께 하나되면, 그에 따른 쾌감은 이루 형언할 수 없는 지경이 된다. 바로 황홀경이다.
퍼포먼스 페스티벌과 나. 이는 나의 예술이 나아가는 방향성이다. 코로나와 전쟁으로 국제성을 갖는 페스티벌이 성사되기는 어렵겠지만, 곧 새롭게 펼쳐질 평화로운 세상에서 인터내셔널 에어라인은 화려한 외출을 하게될 것이다. 이때를 소망하며 이번 작품을 <페스티벌>로 결정했다. 페스티벌. 이 시대의 꽃이다. 1981년 공주야투자연미술제 때 <호파기>로 퍼포먼스를 시작한지 올해로 40년이 넘는다. 그간 국내외 퍼포먼스 페스티벌에 참가하고, 부천을 중심으로 열화 같은 국제 퍼포먼스 페스티벌을 기획하고 실행해 주옥같은 작품들을 수많은 관객과 함께했었는데, 지금도 그간의 열정을 생각하면 감회가 뜨겁다.
국내에서의 활동은 경기도를 필두로 서울을 비롯해 전국적으로 수행되어 많은 호평을 받았으며, 해외에서의 활동은 전 세계적이었다. 이를테면 일본을 비롯하여 중화권인 중국, 대만, 홍콩, 마카오. 동남아권인 싱가포르, 베트남, 태국, 미얀마, 인도네시아. 유럽권인 아일랜드, 영국, 프랑스, 독일, 덴마크, 스위스, 스페인, 이태리, 핀란드, 리투이니아, 폴란드, 루마니아, 유고슬라비아, 러시아. 기타 지역인 이스라엘. 캐나다, 미국, 멕시코, 호주 등. 전 세계 여러 나라에서 전개된 주옥같은 퍼포먼스 페스티벌 참가를 통해서, 퍼포먼스가 얼마나 가치가 있고 아름다운가를 수많은 관객과 함께했다. 아울러 퍼포먼스 교육에도 의욕이 넘쳐서 2000년부터 충북대와 안산공대에서 한국 최초로 강좌를 개설해 수많은 수강생들로부터 큰 호응을 얻었다. 그리고 퍼포먼스 출판에도 관심이 많아 2012년에 를 출간하기도 했다. 그리고 미술 전문 월간지에 를 많이도 기고했다.
페스티벌
10호 혼합재료
Hope
Italia
My works are all oil on canvas, mainly landscapes of my present and past experiences. Through a chromatic composition between the volume of the built environment and the volume of nature I try to create on the canvas a world in harmony with what I see and what I would like to see. I think a dreamy and positive world emerges that I would like to find again forever.
"Born in Bologna (Italy) in 1967. He graduated in Florence at the Faculty of Architecture. In 2020 he opens an ""Architecture & Art"" studio in the historic center of Bologna (Italy), where he works as a freelancer and painter. His passion for the figurative arts, in particular oil painting, led him to undertake studies on various pictorial techniques, to develop, after several passages between styles and languages, a personal technique in which the synthesis of shapes and colors describe on the canvas a completely personal vision of the reality that surrounds him. "
Hope
120x60 cm Olio su tela / 2024
Hristina Zafirovska
Macedonia
HRISTINA ZAFIROVSKA
Born in Skopje, R. Macedonia. She finished secondary art school at the department of applied painting. She graduated from the Faculty of Fine Arts at the University “St. Cyril and Methodius” in Skopje, majoring in painting with graphic design. Currently she’s a master’s student at the Faculty of Design and Multimedia in Skopje, majoring in graphic design. In 2009, becomes a member of the Association of Artists of Macedonia. She is one of the founders of the art group and art space “Art I.N.S.T.I.T.U.T.” in Skopje, founded in 2009; also one of the
founders and a member of the artistic group
She has participated in several individual projects, which cover topics such as: the beginning of creation, interpersonal relations, improving the rights and treatment of women in society and forced isolation. These projects have been presented in Germany, France, Bulgaria, Turkey, New York and in most cities in the Republic of Macedonia. Her artistic practice is based on work in different media such as painting, graphic design, wall painting, installation, scenography, drawing, photography and video. Actively participates in local and regional projects, cross-border collaborations in the field of culture. She is part of numerous projects, art fairs, symposia, residencies, festivals, workshops, group presentations in the Balkans, throughout Europe and beyond."
Semi-familiar friend
30 MDF / 2023
Hüseyin Gündüz
TURKEY
After the ground floor and sky were actually prepared, the figure was rendered with digital art. In short: those who are in harmony with nature and have a happy past, looks to the future with hope.
I live in Mersin, TURKEY. I participated in various national and international group exhibitions. The subject of my work consists of legend, mythology and the rich oral literary culture of Mesopotamia. I use mixed techniques, sometimes I work practically and sometimes digitally, on the ground floors I actually prepare. The technique unique to me allows me to process the harmony or struggle of human beings with nature. I'm very happy for this.
I am happy that I applied to the festival. I want to work with you in the future
Look with hope
1618px- 2084px / 137mm X176mm / DPI 300 /JPEG Dijital art/2024
Huỳnh nguyễn Tuấn Bảo
Vietnam
When looking at my artwork, it is just an image of a tree, but the concepts placed into its details are very profound. The image of the extraordinary apple tree with two main trunks embracing, intertwining, and blending together as if two people of different genders are expressing love. The tree embodies my notion of the wonder of creation in relation to love. Love is not only limited to species but also extends to all things. Through this tree, we can also vividly imagine many different human emotions such as expressing affection or imperfect resilience in life. They create the balance of creation and demonstrate the connection between us and nature.
I am a freelance artist with a tendency to connect and spread art to human life. The art that I aim for is all within the realm of aesthetics. There are no barriers, standards, or limits - Art in me is extraordinary things in life, creating multi-sensory feelings from the aesthetic aspect of images to sound, touch, and even taste, smell. I have proven this through my participation in numerous related competitions and achieved high prizes in youth categories such as: designing various products from utilities to communications, architecture, painting, illustration, installation art, recycling, sculpture,... from many domestic universities, non-governmental organizations, large enterprises, embassies of various countries and internationally.
The Tree of Life
152x176cm acrylic on canvas 2024
Gallery 10
BIEAF2024 - Old Future
World Artist Invitation Exhibition
BIEAF Steering Committee announces BIEAF2024 participants. 390 artists were selected from 65 countries. The online exhibition will run from September 10, 2024 to February 28, 2025. During this period, offline exhibitions will be held at various galleries in Busan.
Hwang Choon-sook
South Korea
인간은 태어나면서 죽음을 향해 걸어가는 시간의 여정 속에서 서 있다. 하지만 일상적 삶에 밀려 다양한 맥락과 접하면서 자신도 모르는 마음들을 지니고 살아가고 있다.
허상과 실상을 오가며 삶 곳곳에 스며들어 살아간다. 삶 속에서 다 함께 행복하게 살 수 있는 길을 모색하고 삶의 소중함도 느끼길 바라는 마음을 담아 본다. 또 함께 살아가는 세상에 대한 고민도 해 본다.
하지만 시간의 지남에 따라 심상의 본질성이 희미해짐을 마주한다. 그리고 남을 배려하고 함께 살아가는 세상에 대한 예의를 지니는 마음의 밭에서 성찰과 사유를 통해 자기만의 향기와 진정한 나다움을 찾기를 바란다.
삶 속에서 마주하는 심상 분주하게 살아가는 삶은 어딘가를 향해가고 있다. 즉 누구에게나 주어지는 생명과 죽음 사이의 시간 속에서 살아가고 있다. 하지만 그 속에서 만나는 마음들을 제때 인식하지도 못하고 눈먼 마음, 귀먹은 마음으로 삶과 시간을 공존하고 있다. 깊은 고민과 성찰로 되돌아보면서 지나간 시간은 되돌릴 수 없음을 인식해 본다. 일상 속에서 만나는 다양한 심상으로 삶과 존재에 대한 고민을 시작해 볼 때 허상과 실상의 구별, 삶과 존재의 가치에 한 걸음씩 다가가지 않을까 싶다. 더 나아가 주위와 함께 행복한 삶을 찾아가는 시간이 될 것이다. 이러한 마음을 표현해보고자 일상적인 삶 속의 다양한 존재 방식을 집의 형상으로 표현해 보았다. 또 그 속에서 꿈틀거리는 복잡하고 다양한 마음을 얼굴 형상으로 상징화하기도 했다. 그리고 요즘에는 자연 속에서 연상되는 형상으로 삶의 파편들을 표현을 해 보고 있다. 심상을 시각화로 표현하는 것을 목적으로 하기에 창의적인 상상과 친구되어 느낀 생각과 깨달음을 회화로 표현하여 지금 이 순간 삶의 방향을 찾아가는 이들에게 지표로 도움을 주기를 바란다.
심상의 허상
20호 oil on canvas
Ilhem sbaii chaabane
Tunisie
Contemporary artist Ilhem Sbaï aims to be unique and authentic. She uses a woven support already led by a story where she paints her own story on it. This tangle forms a rich canvas where the threads of various cultures, techniques and emotions intertwine to create new and vibrant works. Imagine a vast loom, where each thread represents a story, a tradition, a unique voice. These threads, drawn from various moments, meet and link up, forming unexpected patterns, sometimes harmonious, sometimes dissonant.My weavings” is this patient and delicate process, where the artist interweaves colors and plays with textures, points, lines and shapes. Each gesture is a repetition, a meditation, a dance. At each intersection, a new story is written, a new emotion emerges. Weaving thus becomes a metaphor for artistic creation itself, where the work is constructed like a weft, with meticulousness and passion.
Crossbreeding, for its part, is the vital breath that animates this weaving. It is the act of mixing, confronting, uniting the different plastic issues to extract a new essence. Ilhem Sbaï recounts his own weavings where crossbreeding is a tribute to diversity, a refusal of rigid borders. It celebrates the union of opposites, the mutual enrichment of cultures, techniques and perspectives. It is in this fusion that a richer, more complex, more human form of art is born.
Thus, his art becomes a vast living fabric, where each work is a fragment of a larger whole, a note in a symphony of voices and visions. Weaving and crossbreeding intertwine, revealing beauty in diversity, strength in the union of differences. In each piece, wall piece or design object, the artist leaves a trace of this incessant dialogue between the past and the present, between the local and the universal, between the individual and the collective. And in its infinite weavings, we find a part of ourselves, recognizing in each thread the echo of our own history, our own dreams and our own quests. Painting takes on the air of the palimpsest tessitura and the heritage colors are written right in the innovation. Painting is writing the past on a canvas background (the slip is intentional because the canvas is a carpet.... flying that transports us to a wonderful area of creation that recreates the world with a touch of tessitura in the colors of the rainbow and ilhem inspires us with the art of flying in a dreamlike space well rooted in our feeling of belonging to our Tunisianness of yesterday, today and tomorrow because art thinks and makes us think and our artist establishes himself as a philosopher of forms and colors and heavenly impulses this exhibition will date in the history of Tunisian art and epigones will be born, charmed by the founding soul of the visual artist ilhem. Taking several exploratory steps in the timeless space of my canvas, I venture onto new paths rich in discoveries. Through its friezes which entwine the canvases and defy the finish, pictorial revelations blossom which profoundly shake up the structure of my work, neither figurative nor totally abstract. It doesn't matter whether I construct these strips to imprison the color or to better free it, what matters to me is this euphoria which musicalizes the works: "When one color slips under another, when a line is shortened or extended by another, I have the impression of listening to the interpretation of a choral song with mixed voices in the very deep underwater Trenches....", the work appears like a touch of ink in the sea, like a gentle sound deep in the earth, like a fresh fish with many colors, like “weight_sound” Colors of the sea, colors of the earth, contrast of light and shadow, soft fish, heavy weights, its bass, its treble, Weight Sound: shrill and shrill but harmonious and pleasant. Weight of intense sounds: rhythms and colors, melodies and tones The weights Burst, explode, carried away... fish in the sea, The noise of the abyss with vague and vague shapes... in short weights......to touch my fish to follow my blood.
Ilhem Sbaii Chaabane is a Tunisian visual artist, holder of a Master's degree in Visual Arts from the Higher Institute of Art, Architecture and Urban Planning of Tunis, specializing in painting. In 1995, she began her career as a visual arts teacher. Ilhem first exhibited modestly in 1992, then regularly since 2006, and expanded internationally in 2018. She has also organized and participated in several national and international workshops. His works appear in the Tunisian state collection through acquisitions from 2008 to the present day, as well as in private collections in Tunisia and abroad with a few enthusiasts and collectors. 3rd prize at the Carthage Contemporary Art Days 2023 edition and confirmed participation in the 2nd edition of 2021 with a contemporary conceptual installation WEIGHT-SOUNDS ELECTIONAL, and to top it off, in September 2023, Eco-Contemporary Exhibition - Change To ECO- BIAF2023; participation in cultural days at the headquarters of the World Intellectual Property Organization in Geneva WIPO; August 2023, regional contemporary art days of Carthage - Médenine/Djerba-Monastir-Bizerte. Curator of artistic events at Les Pères Blancs secondary establishment, from 2018 to today. In May 2023, she won the 1st and 2nd prize Junk Kouture Tunisian edition Envirofest and selection for the international competition in London. The last Personal exhibition in juin 2024"
Croisement de vies
58x56cm Acrylique sur margoum
(tunisien carpet ) 2024
Ilho-choi
South Korea
조각가의 시선에서 세상을 바라보는 친구들을 표현 하고있다. 친구들은 늘 바보스럽게 세상을 바라보고 행복한 웃음을 짓고 있다. 웃음속에서의 의미는 순수한 사랑의 의미를 담고 있다. 작품속 내면표현의 생각을 기후변화에 민감한 구름 이미지를 넣어 재미나게 감정변화의 생각을 작품으로 보여주고자 한다.
홍익대학교일반대학원 조소과졸업 대구가톨릭대학교 조소과졸업 개인전12회 단체전 300여회 현) 한국미술협회, 울산 미협, 울산 광역시 미술장식품 심의위원
조각가의 친구들
400×200×200cm 혼합재료 2022
Imran Ahmed Soomro
Pakistan
There are two parts in the human brain: one is functional for words, and the other is functional for understanding visuals. We can say the human brain exists in the form of a data dictionary of words and visuals. An artist needs to express both his ideas and his creations. With the help of the visual dictionary, I always keep adding to the visual data in my mind through the use of the eye lens, which always helps me to create creative works that I express in different forms to communicate highlight social issues and expression to the people of society through my photography...
Imran Soomro Founder director the Artist nes channel pakistan" Visual Artist / Curator/ Writer / Art Administrator.
Colours of Healthy Enviroment
20x30 inches Archival Paper 2023
Inger Andreasson
Sweden
This painting symbolic many things to do in life, sometimes in balance and sometimes in little chaos. But always with wonderful colors.
I have been painting all my life. After my education as nurse I worked in schools. After my retiring I started painting again and now with watercolor. I have been participating in many juryexhibitions in Sweden and done solo exhibitions. Also International in different countrys, like International Art "Cuore Di Donna" in Italy.
Centro D' Arte Ecultura Verum/Italy. International Exhibition in Mumbai Museum in India. International Sun Boats Exhibition in Egypt. In ten years I have been teaching in art.
Busy Days
40 x 50cm Akvarell
%20-%20Ireen%20Sanderse.jpg)
Ireen Sanderse
The Netherlands
About a boy' is a series about shaping, about converting traumatic images into a new reality, about inner strength and finding oblivion, about beauty and comfort.About a boy' is also a series about the image that searches for the artist, is confrontational and reveals little of his intention. Once found, it is up to the artist to translate, shape and provide content.
"Reen (Ireen) Sanderse (1953)The Netherlands, education: academy for craft and art 1987-1989, is working as a professional artist since 1990. Specialties : mixed media digital light art, drawing/painting, design, photography, lyricist. Owner of the artgallery ‘Kunstkabinet d’Oude Winkel, in the city Oostburg, The Netherlands 2016-2021 . Gallery Van Rijn, Hillegom, The Netherlands
About a boy no 5
40 x 120 cm Mixed media digital light art
Irena Paskali
Macedonia-Germany
I drawing with medieval-modern (pre-18th century) charcoal and this charcoal is more than a hundred or even a thousand years old. And that is something special for me. I have a lot of respect for that. I am fascinated by the enormous amount of time concentrated into this material.When I draw, I hold a piece of the past in my hands and create something new with this little piece of charcoal. I feel like a catalyst between the past and the present as if I can transfer something from past times into the present by drawing on a piece of paper. I like the natural color shade and I don't want to mix it with other colors. For me, this charcoal speaks its own language. The drawing is clear, clean, distinct and elegant when the charcoal stands alone. I love the hardness of this material which is also soft at the same time and yet can look strong and powerful in the drawing.
Irena Paskali Macedonia/Germany Irena Paskali was born 1969 in Macedonia, she currently lives and works in Cologne, Germany. Before studying at the Academy of Media Arts Cologne, where she finished her Master of Arts in 2007, she graduated from the Academy of Fine Arts Skopje, Macedonia. The artist works in a variety of media, photography, video, drawing,peinting and experimental film. At the center of her work is always the human being. So she deals with the fragmentation of cultures and religions, questions of identity and alienation. www.paskali-i.de. She resived many international Scholarship, Awards, Solo exhibition and she was participant a many grope international exhibition.
restlessness
50 x 70 cm Drawings with medieval-modern (pre-18th century) wood charcoal on Paper 300gr., 2024
Irina Tall Novikova
Belarus
Girl with a white package like out of milk, holds with one little finger, shifting from foot to foot, in light sneakers with an evening stripe, Sees through glasses his past And he only wants light, Then and now, And that's why he hides his tongue, When asked About the summer heat... "
Irina Tall (Novikova) is an artist, graphic artist, illustrator. She graduated from the State Academy of Slavic Cultures with a degree in art, and also has a bachelor's degree in design.
The first personal exhibition ""My soul is like a wild hawk"" (2002) was held in the museum of Maxim Bagdanovich. In her works, she raises themes of ecology, in 2005 she devoted a series of works to the Chernobyl disaster, draws on anti-war topics. The first big series she drew was The Red Book, dedicated to rare and endangered species of animals and birds. Writes fairy tales and poems, illustrates short stories. She draws various fantastic creatures: unicorns, animals with human faces, she especially likes the image of a man - a bird - Siren. In 2020, she took part in Poznań Art Week. Her work has been published in magazines: Gupsophila, Harpy Hybrid Review, Little Literary Living Room and others. In 2022, her short story was included in the collection ""The 50 Best Short Stories"", and her poem was published in the collection of poetry ""The wonders of winter"".
Dreams
40x30 cm Collage, paper, 2024
Iwa Kruczkowska
Poland
Stone is an object from the point of view of man eternal, it is strength and peace in many cultures symbolizes memory and permanence. What is left of ancient art are stones that I hope will last for centuries, so a stone is an object that contains both the memory of the past and gives a stable basis for the future, it is the old future without contradictions.
I am interested in the relation between a man and nature and in the possible attitude of a human being towards nature. Nature is understood here as the world of flora, fauna and inanimate nature. The idea of my project is inspired by the philosophy of Zen and the treatment of nature as a source of inspiration which allows to keep a distance to the things and in which the most important is to notice and appreciate the apparently insignificant matters – “insignificant” from the point of view of modern men oriented to materialistic and pragmatic values.
In addition to the pure fascination of nature and the perception of seemingly inessential elements of life, a man himself plays a very important role in my work.
A man is seen from the perspective of a journey in his everyday internal life which is extraordinarily different from the perspective of someone who observe “the same” from the outside. The direct, instant stimulus’ follow from the internal experience of other cultures, the contact with met people and from the contact with nature that gives me a feeling of “gazing novelty”, which is comparable to the experience of the world in someone childhood when everything is perceived as new and fascinating. One can find as a unifying element constituting the above mentioned fascination concerning nature and travels the touch of some timeless moments of the aware and fresh admiration of life which is distant from everyday superficial routine.
Old future in a stone power
100 x 100 cm oil on canvas, 2023
JANG YONG SIG
South Korea
순천 선암사에서 3월에 촬영하였으며 , 한옥 실내에 매화 향기 가득함을 한옥 전통창을 배경으로하여 이미지화 하였음.
개인전 :2회 2024년 6월 心山有谷(심산유곡) 사진전/창원도서관 갤러리＇창＇ 2023년 2월 山香·鄕(산향) 초대전/줌인갤러리 단체전 : 14회 2024년 1월 태국국제사진전/치앙마이 2024년 1월 국제전/창동갤러리 2023년 12월 四色展/창동갤러리 2023년 12월 부산국제환경예술제 초대전/타워아트갤러리 부산 2023년 10월 인도네시아 국제전/발리예술대학 갤러리 2023년 9월 부산국제환경예술제/온라인 부산 2023년 6월 Black & White 8인전/창동갤러리 2023년 2월 사진은 흑백이다 초대전/줌인갤러리 2023년 1월 FOR ME , 8인전/창동갤러리 2023년 1월 부산국제환경예술제/UEC 부산 2022년 11월 18회 생활문화예술제/롯데백화점 더 갤러리 마산 2022년 6월 마창진 사진가 9인전/창동갤러리 2021년 喜喜樂樂(희희락락) 8인전/창동갤러리 2021년 2021 NOMAD 8인전/창동갤러리
봄의 향기 매화
30x40 한지, 피그먼트 프린트 2022
Jay Anthony Gonzales
Philippines
Gonzales seeks to elevate the waterfalls and majestic natural wonders of the Philippines through his art. Using a variety of techniques and materials, he creates multi-layered and intricate textures that invite viewers to appreciate and contemplate the intricate details of the #naturesbeauty. Through his work, Gonzales hopes to convey the essence of nature's magnificence and evoke a sense of awe and reverence for the natural world. His paintings are a homage to the wonder and splendor of the world we live in.
Jay Anthony Gonzales is a Filipino artist based in Philippines. He works primarily with textured painting, capturing the raw and natural beauty of the world around us. Drawing inspiration from the dynamic landscapes of his home country.
WATERFALLS
91.44 cm x 76.2 cm Acrylic on canvas 2024
Jean Song
South Korea
작품에 등장하는 먹색의 식물들은 생을 다한 식물들이 삶 이후에 앙상한 나름의 형태를 유지해가며 새로운 삶을 영위해가는 듯한 느낌을 받은 작가의 감상에서 도출된 것이다.
송지인의 작업적 태도는 일상의 인지적 사각지대에 존재하고 있는 사례들에 대한 관찰에서 도출되었다. 인지적 사각지대는 우리에게 쉽게 인지되지 못하여 관심 대상에 벗어나고 소외된 사건, 상황, 특정인간, 동식물 등이 포 함된다. 이를 지속적으로 목격하고 수집하며, 현재까지는 수묵 드로잉, 회화, 오브제등의 시각언어로써 제시하고 있다.
The black woods
73x61cm 장지에 수묵 2021
Jelena Martinovic
Croatia
Horses of Freedom"" is a dynamic and expressive piece I created with ink and acrylic on paper. In this painting, I aimed to capture the essence of wild horses running through a rugged landscape, inspired by the Velebit mountains. The horses, depicted in vibrant shades of orange and brown, stand out against a backdrop of green and white, symbolizing the untamed spirit and raw energy of nature.
Using bold, sweeping lines and contrasting colors, I sought to give the painting a sense of movement and vitality. The rocky terrain, rendered in stark white and black, creates a striking contrast with the lush green hills and the clear blue sky above. This juxtaposition emphasizes the wildness and freedom of the horses as they navigate through the rough landscape.
I combined the fluidity of ink with the opacity of acrylic to create layers of texture and depth. This mix of media allows for a rich interplay of light and shadow, adding to the overall dynamism of the scene. The rough brushstrokes and drips of paint convey a sense of spontaneity and action, further enhancing the feeling of motion.
Horses of Freedom
150cm x 100cm Ink and acrylic on paper, 2022
Jenny Carola Dussan Charry
Colombia
It is a work made in paraffin with acrylics, where I express the beauty of women in different cultures, highlighting the color and nature in their flowers.
I am from Colombia, a paraffin sculpture artist with 12 years of artistic experience, bringing art to different parts of my country Colombia and participating in exhibitions internationally. Making it known that we can express art in different techniques and that we play with the colors of nature, landscapes, faces, fauna.
It will be an encounter where art will shine, the colors will be the alfiltrons and beauty will emerge in all its splendor.
Hindu Queen
30 widthX50cm high
paraffin sculpture with acrylics/2023
Jeong hyo soon
South Korea
자연과 인간은 뗄레야 뗄수없는 관계다. 자연속 바위는 지구의 원천이다. 지구 깊은 곳에서 외부로 나와 자연이 주는 오갖 고난을 인내하며 자리하고 있다. 자연속 바위는 자연 뿐 아니라 우리들에게도 많은것들을 내어준다. 그런데 언제부터인가 창밖의 자연으로 외면 되어지고 그 소중함을묵시하고 있지 않은가 싶다. 사회가 변화하면서 우리의 내면도 복잡하다.창밖의 자연을 통해 자신의 내면을 돌아볼 기회가 되길 바란다.
자연 속 바위를 주제로 하여 수묵바위 작품을 창작하는 한국화 작가입니다. 오랜시간 서예,문인화,풍경산수화를 섭렵하고 자신만의 주제를 가진 작품을 위하여 많은 시간을 생각의 생각을 거듭하여 인간과 닮은점이 많고 많은 본보기가 되는 자연속 바위를 소재로 나만의 수묵바위 작업을 시작하게 되었습니다.
2022년도에는 부산광역시청 제3전시실에서 수묵바위 작품을 100호,300호,500호 700호 대작을 전시하였습니다. 그리고 단체전 90여회등 활발한 작품 활동을 하고 있습니다.
창밖의 자연
45.5 x 53cm 한지위에 수묵 2023