Gallery 23
BIEAF2024 - Old Future
World Artist Invitation Exhibition
BIEAF Steering Committee announces BIEAF2024 participants. 390 artists were selected from 65 countries. The online exhibition will run from September 10, 2024 to February 28, 2025. During this period, offline exhibitions will be held at various galleries in Busan.
Safaa Afifi
Egypt
Bird is whispring to beautiful princess and give her a cherry as a gift and she is reading the crystal ball to know when her lover will come and does’t know it is her bird.
Safaa Afifi visual artist from Egypt graduated from fine arts faculty love mixing colors with passion.
And like abstract art participated in several art exhibitins and international symposiums organized many exhibitions with other countries like Nepal India Ecuador
Whisper
90x60 cm Acrylic 2024
Sang Boone
France
In the artwork ""Whispers to the Wind,"" a young girl adorned in a Vietnamese Dao ethnic costume is whispering to the wind with a serene smile. Her traditional attire is stripped of its intricate patterns, leaving a modern and minimalist design that bridges the gap between past and present, tradition and modernity. The girl’s headscarf billows gracefully in the air, symbolizing freedom and the fluidity of identity across temporal and cultural boundaries.
"Whispers to the Wind"" transcends mere aesthetic appeal; it is a philosophical statement. The girl represents harmony, happiness, and peace, concepts that resonate deeply within the quest for a balanced intercultural existence. In an era where the blending of Eastern and Western influences is more pronounced than ever, this artwork calls for a recognition of our shared human nature and a celebration of our diverse yet interconnected identities. The painting underscores the importance of finding a place of equilibrium—where the wisdom of the past meets the innovation of the future, and where different cultures converge to create a tapestry of shared human experience. This place of balance is where true happiness resides, reminding us of the need to maintain a harmonious relationship with ourselves and with nature, reflecting the core values of the BIEAF2024 ""Old Future."" In this dynamic interplay of old and new, traditional and contemporary, the painting stands as a testament to the enduring quest for harmony and the timeless pursuit of happiness. Through its serene yet powerful imagery, ""Whispers to the Wind"" invites us all to ponder our place in this ever-evolving world and to find our whispers of joy and contentment in the winds of change. ""Sang Boone is an artist dedicated to exploring intercultural connections and expressing emotion through her artwork. Inspired by nature's grace and resilience, she aims to share the wonder of everyday life. Educated under the guidance of Vietnamese master Nguyen Hong Hung and Chinese professor Pan Guo Ping, her art merges Eastern tradition with a global perspective. Affiliated with the Women Artist Association of Singapore, she participated in several Exhibitions: The Voice of Art, the UOB Art Competition in Singapore, the Same Year Art Exhibition in Shanghai, and the Painting Awards Exhibition at the Metropolitan Art Museum of Tokyo. Her art serves a dual purpose. She has contributed paintings to support children's heart transplants in Vietnam and uplift the lives of orphaned children in the Philippines. In Singapore, she got involved in the “Art for a Cause”, and contributed to raising funds for the Cancer Society. "instagram : sang.art.creationNoNoNo"The theme of the 21st BIEAF, ""Old Future,"" resonates deeply with me and has profoundly inspired my work. It encourages a reflective journey, prompting us to consider how our past promises shape our present reality. This theme questions our current state of happiness and fulfillment, urging us to contemplate whether the future we envisioned has indeed brought us the joy we anticipated. The philosophy behind ""Old Future"" aligns seamlessly with my artistic vision. It emphasizes the importance of understanding human nature and fostering a harmonious relationship with the environment. This theme is not merely about displaying artwork; it represents a collective promise for a better future, transcending environmental, racial, religious, and cultural boundaries. In ""Whispers to the Wind,"" I explore these concepts by blending traditional and modern elements, Eastern and Western influences, and timelessness with the contemporary. This piece is a tribute to the pursuit of balance and harmony in an increasingly interconnected world. The girl in the painting embodies the essence of happiness and peace, serving as a reminder that true contentment lies in finding equilibrium between the old and the new, the familiar and the unknown. Inspired by the profound philosophy of the BIEAF theme, my work aspires to capture the vision of a united human future. It is a celebration of our shared humanity and a call to reflect on our journey, ensuring that the promises we make today will lead to a brighter, more harmonious tomorrow."
Whispers to the wind
H76 x L100 Acrylic on Canvas 2024
Sanjukta Arun Barik
India
This painting is created to express the beauty of nature. The fall colours leave a lasting impression, This is a memory from my various travels. An artistic expression signifying the crying need to preserve our Natures bounty, which is soon vanishing to modernisation and giving rise to concrete jungles.
Sanjukta Arun is a Well known Contemporary Artist based in Mumbai. She is a Curator. And Founder of La Aartemisia Gallery, Mumbai.
She also owns a designer label Sanjukta Arun which deals in wearable art, supporting artists and artisans from the interiors of the country. She has an MBA in Sales & Marketing and Diploma in International business. After a short stint in the Corporate sector, Sanjukta took to her inner calling and surrendered herself to Art, about 29 yrs back and made it her profession.
Through her years in the Art industry, she has gained recognition and is very well recognised by Art lovers and Art connoisseurs. She has carved a niche for herself in the art industry. . She has trained extensively in Art, during her association with the aer world.
She has participated in 75 exhibitions, both in India and overseas, With 26 Solo shows, to her credit. Also 5 Online Solo shows. Her last show, was in aid of Children battling Cancer and CPAA. Which she has been doing for a number of years. Funds raised through sale of paintings is used for treating the children. She works extensively for the benefit of Cancer Bravehearts and Children with special needs. She also conducts Art Therapy workshops with Corporates She has conducted Art sessions for Rotary Club and Inner Wheel Club. She has conducted art sessions for Dharavi school teachers, for the Rotary club. She is the Immediate President of Inner Wheel Club of Bombay North, Inner Wheel Club is the largest Womens voluntary service organisation. Music is her passion. Recent Art Exhibitions held include, Solo show of paintings at Visual Art Gallery, India Habitat Centre, New Delhi, Jehangir Art Gallery, Mumbai and Nehru Centre, Mumbai, ( As a support towards Children battling Cancer in association with CPAA, a 54 yrs old ngo supporting Cancer survivors) She has won many Awards and recognitions. Award from CPAA for supporting Cancer survivors. Excellence award from Inner Wheel Club of Bombay North, for international presence in the field of Art and Culture. Excellence award from India Business Group chamber of Commerce, Mumbai. And many more. Recepient of Mid -Day Powerful Women Award for Iconic Entrepreneur Award for Art & Culture, 2023. AIWAA All India Womens achievers award for Arts and Culture Pillars of Maharashtra Award 2023 for Arts and Culture Shri Mahatma Gandhi Rashtfiya Abhiman puraskar for Arts and Culture. She is the Secretary of India Fine Arts Council, Mumbai, A premier organisation associated with Arts and Culture. She has been appointed as Art Director ( India) for IAA, Greece, affiliate of UNESCO.
Aspen blooms in fall season
36”x36” Acrylics on Canvas, 2024
Sara Trabb
Argentina
It is an sculpture done in wood and added color. Represent a couple of friend. " Lelé Trabb was born in Buenos Aires, Argentina. She studied Arts becoming teacher and professor of Visual Arts.
Specialized on sculpture with national masters of Arts,
Since 1985 she participates in expositions, arts salons, national and international contests, and art fairs, receiving numerous distinctions for her works.
Among her last expositions there are galleries in the Netherlands, Belgium, Cuba, USA, China, Germany and Japan. Lelé Trabb has participated in several national symposiums and was invited to USA, Canada, Luxemburg, Mexico, Chile, Denmark, Sweden, Finland, Russia, Italy, Costa Rica and the Netherlands.
Since 1997 lives in Santiago del Estero, located in northwest of Argentina. Represents the Argentinean Sculptors Society in Santiago del Estero, and is a President of AIESM (Monumental Sculptors International Association)for Argentina Member of the Conseil de la Sculpture de Quebec. Many times performed as juror and curator at expositions. Her fundamental interest is Latin American art and culture; works with different materials as wood, stone, iron, as well as snow and ice, installations and video-installations and ephemeral projects. She organizes International Sculpture Symposia in her country. 2020 pandemic year she participated in many exhibitions online,Nirantar Gallery,India, International online art exhibition first and second time, Talent Hunting ArtShala, Bangladesh, and she got first prize, Luxemburg Gare art Festival, Bangiya kala Kendra, India and preformed as Jury at Online International Symposium organized by AIESM, International Asociation of Event Sculpture Monumental, and Jury for the second international contest, Talent Hunting Art Shala, 3RD International Contemporary online Art Festival-Bashkortartstan-Rusia, Peace and Unity thru art-Manila-Filipinas and Pepney Gallery in Ireland. Sweety Saradha.International Art Contest,USA; .Arte Dorja-Comunidad Dor Jadash-Argentina. International virtual sculpture Exhibition- Tarija- Bolivia She has sculptures in Canada, Unites States, Luxemburg, Holland, Belgium, Mexico,Japan, Denmark, Chili, Russia, Italy, Sur Korea, Finland, Costa Rica, China and Sweden she has a lot of awards
Friends
63 x 30 x 58 cm wood 2023
Selma Durukanoğlu
Türkiye
Whatever five senses perceive; the hands quote them. She has potential energy ,mental&physical equipments. Some people say she is multi discipline artist, she thinks she is like cornucopia…on painting,drawing,photograph and others as above told. Into my art world every disciplin suggesting a cornucopia of my nature assamled. There is a vast cornucopia of choice in her art; people can pick and chose.
SELMA DURUKANOĞLU İstanbul based artist, was born Rize, from Turkey. As an artist, she blinked art world and touhced it. After that, her world has been changed until now and forever. Inspiring from endless universe, magnification art world, nature, human, history, future, past and present; Having five senses makes her inner voice, her thoughts and knowledge reflect her art. On the other hand, as a teacher, having common sense, open mind, disciplin and productivity she turned them into art creativity. It’s really her luck. She started working on drawing and painting with The Association of Painting Sculpture Museums.She worked original prints at IMOGA(İstanbul Graphics Art Museum). She continued original printmaking at Ateiler Alaturka(Versus Art)., She has mental and physical equipments and many riggings. like painting, printing, photograph, web desing, illusration, graphic desing, photoshop etc… Mostly prefers oil, but all others mediums are welcome... Because of feeling so hungry on drawing, painting, photograph, digiart, She’s been working predominantly and nonstop to achive since 2001. She has many national&international solo exhibitions & art fairs, symposiums, bienales, awards, a hundred group exhibitions . She’s a member of ‘’The International Associations of Art UNESCO- IAA/AIAP’’ & ‘’The Black Sea Associations of Plastic Art
Portrait
40x30cm
Oil, drawing, collage on canvas, 2019
Selvihan Kilic Ates
Turkiye
Flora, the common name of plants growing in a region, vegetation, defined as the goddess of flowers and spring in Roman mythology, is reinterpreted with modern production techniques.
She was born in Adapazarı in 1982. She completed his undergraduate education in 2004 at Anadolu University, Faculty of Education, Department of Art Teaching - Graphics Major. She received his Proficiency in Art diploma from the Printmaking Department of the Institute of Fine Arts in 2014. She currently works as a Professor in the Printmaking Department of Balıkesir University, Faculty of Fine Arts, and as the Dean of the Faculty. She participated in more than 200 national and international events and received many awards.
Flora V
60x90cm Paper 2024
Sema Erenoglu Kalecik
Turkey
Sema Erenoğlu Kalecik question the reasons for our existence and produce works of art by blending the processes of being human and transformation with today's technological products using mythological concepts and symbols. She also specializes in interior design and fabric design.
Sema Erenoğlu Kalecik Contemporary Artist | Antalya, Turkey BORN IN 1952 Contemporary Turkish Artist Lives and works in Turkey. CREDITS Painter - Ceramic Artist Stained Glass and Glass Artist Mersin University Faculty of Fine Arts Painting Department Degree International Exhibitions National Art Workshops.
Genetic Code
80x110 cm Oil on Canvas 2019
seo a
South Korea
버려지는 장난감들로 인해 플라스틱화 되어가는 바닷속을 표현함 장난감을 소재로 우리의 일상과 환경에 대해 그리는 서아 작가입니다.
몽유해수도
27×22 장지에 채색 혼합재료 2024
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Seok Changseong
South Korea
세계 자연 문화 유산으로 등재된 창녕 우포늪에 자생하는 줄풀(indian rice)를 찍은 사진으로 겨울이 되어 생의 주기를 다하고 마른 줄풀잎이 자연의 일부로서 마지막 단계인 소멸로 가는 과정을 촬영하였다.
자연에서 소멸은 단순히 사라지는 것이 아니라 그 일부로 재편되어 순연하는 것임을 목도하였다. 우포늪에서 태어나 부모님의 삶을 이어 받은 어부이다. 자연의 연속성, 그 속에서 인간이란 주제로 사진 작업을 하고 있다.
Zyklus in upo
150x100
digital pigment print on photopaper 2023
Seok Yoonju
South Korea
자연과 인간은 공생한다. 인간의 편의를 위해 자연은 자신을 희생한다. 인간은 자연을 위해 어떤 것을 희생하고 있는가.
계명대학교 미술대학 사진미디어과 졸업 울산 젊은 사진가회 기획전 2023 사적 기억의 재구성 展 개인전 5PM 창녕사진협회 단체전 2회 창녕사진협회 소속
symbiosis
76X50
Digital pigment print on art paper 2023
Sepideh Hajebifard
Iran
In a time when original and precious arts can be left in the hands of oblivion. There is this work of mine from an original and ancient. Iranian art called Khatam Kari. This ancient inlay work dates back to the Sassanid dynasty 1500 years ago.
Today, we need those who use these ancient arts in modernity, which is currently devouring details and going towards the minimalist side, but these details are very valuable. And this is an art
It is the duty of us artists to match this style of ancient arts with attention to details and respect the principle of art. I decided to make this lampshade both practical and a fusion of the ancient art of leather tanning
and wood and metal inlay.
So that I can show this ancient art to the world in today's style until this royal art finds its place in the life of the world once again I am the servant of a tiny drop in this sea of idleness To commemorate and perpetuate this ancient and royal art of Iranian Khatam Trust in the divine light and it is within you, it is your guide""1.First name: Sepideh Last name: Hajebifar d Gender:female Nationality:Iranian Address:Iran, Shiraz city, Mirzai Shirazi Boulevard, 36/2 alley, No. 232, postal code 7196714788 Date of birth: 17/feb/1992 education: Bachelor's degree Orientation:solid state physics College:I now have a professional technical diploma from Khatam art field in 2022, Shiraz campus university. I finished my university education in 2015 and I started to follow my interest in art and art knowledge. The date of obtaining the Award Commendation plaque degree Festivals: 1-Certificate of participation in the gallery 3/11/2020 iran shiraz 2-Obtaining a production license and approval from the Department of Cultural Heritage and Handicrafts of Fars Province 29/6/2021 iran tehran 3-Certificate of recognition Art Point 7/09/2021 Turkey 4-certificate of participation IAAF online 21/09/2021 Turkey 5-The best artist of the year in two periods 22/06/2022 & 29/062023 iran shiraz 6- Certificate Art group exhibition Germany Italy iran 22/2/2023 7-The first female artist of Saab Khatam materials in Iran 18/06/2023 8-Honored the brilliance of traditional arts of Eirat in history 03/01/2024 shiraz iran 9-The 13th Pars International Tourism Exhibition shiraz iran January/2024 10-Workshop on understanding the ancient art of Khatam in the new era for the Shiraz Municipality's Cultural Vice-Chancellor April/2024"hajebifard.sepideh778@gmail.comYesYesYes"I am very happy that there is this event I am now in my past future And I am on the same path as I wanted Now every artist and art lover They know that they have to build the futureI am very happy that there is this event I am now in my past future And I am on the same path as I wanted Now every artist and art lover They know that they have to build the future"
Khatamkari lampshade
Wide 50, Length 50, Height 50 cm
Orange tree wood, Brass metal, Camel bone
Black walnut wood, Natural animal skin
German alcohol varnish
2024
Sevinç Çiftci
Turkey
It is clearly and strongly observed that despite the usage of rich and various images, there is an abstract, plastic substructure on this painting, just like on most of her paintings. I mean this substructure wasn’t sacrificed in the name of the presentation of the object. On the contrary, this is a masterfully designed abstract, plastic substructure, which initially faces you and catches your attention.
This substructure catches the viewer and takes them into a journey on the painting. And then, we flow between the connection of the images and through their individual existence. Right there, a process similar to the function of the memory takes its place. The images, reminiscence, or the things that are recalled with the very complex anthropomorphic meanings of the objects show themselves with a half conscious, half nonconscious outer shell, just like the images we have in the function of the memory.
It’s just like implying the distinct or indistinct memories, remembering and dreaming with the presentation of the images by setting partially intense, partially transparent layers of paint. The painting is like turned into insignificant and a little spooky body of time with various intensity of layers of paint. The painting becomes more shocking when we look at the objects individually. A metaphysical stretch lies in front of usage occured with the combination of many and various objects. The objects present some anthropomorphic specialities which every person can interpret differently. For example, the bodies and branches of trees sometimes point out to a lively and happy existence by pointing up, while other times they signify somber and sad existence. On the upper side of the painting, while the seagulf with the widenth wings signifies a life energy like it's about to fly away to infinite sky from the open composition of the painting, it increases the energy being flown to the outer side of the painting exponentially as being a body by itself. You cannot feel any hierarchy between the people and the animal figures with different stances and situations on the painting. Maybe, we need to put more emphasis on the animal figures. According to many researchers, the image of the animal is the initial image that we can start to differentiate from the early ages of our lives. In this matter, it has an archetypical feature. When we think about one of the most used images of Çiftçi’s paintings being the Childhood, in fact, we can feel that the animal images in her paintings have deeper meanings. We can also feel that the memory process of the painting has an analogy through the process of the painting. She handles consciousness and unconsciousness items just like they are combined in the same stretch. I mean the objects individually are not the symbols of something, they reach an intense impact by awakening feelings that occur through betweenness. ""SEVİNÇ ÇİFTCİ Was born in 1976 in Istanbul. She graduated in 1997 from the department of Teaching Arts in the Faculty of Education, Marmara University. She worked as an art director for television and movie industry for ten years. She gaved lectures at Türvak Cinema and Television School about art direction. İn 2008 she completed the Drama Leadership Program at Oluşum Drama Institute and conducted a course on Art Movements and Drama in the same institution. She performed drama workshops with children of different age groups in many biennials and festivals. She completed her studies at Florence Academy of Art Summer Session in Italy, in 2012. Her works were featured in national and international painting exhibitions. She started her graduate program at Mimar Sinan University.She continues her works in her atelier in Istanbul. SOLO EXHIBITIONS 2023 “Archtypal Apple New Life” Gallery Diani 2019 ""Inside Out II"" (Gallery Diani & Atelier Sudor) 2018 “Inside Out” (Fraunkreise Galerie Berlin-Germany) 2017 “How Long Does Tomorrow Last” (Gallery Diani & Atelier Sudor) 2014 “Journey to the Center of the World” (Harmony Art Gallery) COMPETITIONS / AWARDS 2015 Ahmet Merey Painting Competition 2014 Nuri İyem Painting Competition 2014 36th DYO Painting Competition 2013 Nuri İyem Painting Competition 2012 Şefik Bursalı Painting Competition EXHIBITIONS 2022 Homecoming, Welcoming, Gallery Diani 2021 Homecoming, Welcoming, Gallery Diani 2020 Homecoming, Welcoming, Gallery Diani 2020 Step İstanbul Fair, Gallery Diani 2019 29. İstanbul Art Fair (Meeting Art Initiative) 2019 2.Sada Interdisciplinary Art Symposium Exhibition (Gallery Artsürem) 2019 Composite Exhibition (Gallery Artsürem) 2018 3rd International 9th Street Art Workshop 2017 27th Istanbul Art Fair (Young Exile Art Initiative) 2017 All together (Beşiktaş Contemporary Art Gallery) 2016 At the Skyline (Akademililer Art Center) 2016 “Industrialisierung in Anatolien” (Porzellanikon / Selb-Germany) 2016 New Year Composite (Gallert Diani) 2016 26th Istanbul Art Fair (Akademililer Art Center) 2016 Art Suites Bodrum Art Exhibition 2015 New Year Composite (Gallert Diani) 2015 25th Istanbul Art Fair (Harmony Art Gallery) 2015 Young Figure (Soyut Gallery) 2015 Paper Works Exhibition (Akademililer Art Center) 2015 Summer Composite (Harmony Art Gallery) 2015 Ahmet Merey Painting Competition Exhibition 2014 Nuri İyem Painting Competition Exhibition (Evin Art) 2014 36th DYO Painting Competition Exhibition 2014 Summer Composite (Harmony Art Gallery) 2013 5th Orange Flower Art Colony 2013 Nuri İyem Painting Competition Exhibition (Evin Art) 2013 States of humanity (Akademililer Art Center) 2013 Summer Composite (Harmony Art Gallery) 2012 State Painting and Sculpture Museum 2012 Florence Academy of Art Summer Session 2012 5th Art Bosphorus Contemporary Art Fair 2011 Caution! Women (Ekavart Gallery) 2011 21st Istanbul Art Fair 2011 Moldova SummArt Painter's Campus (ChisinauMoldova) 2011 4th Art Bosphorus Contemporary Art Fair 2011 Kucukcekmece Municipality Painting Competition 2011 Alifart Young Auctions Exhibition 2010 10th DYO Painting Competition Exhibition 2010 20th Istanbul Art Fair (Karşı Art Gallery) 2010 2nd International Çanakkale Biennial 2009 19th Istanbul Art Fair (Karşı Art Gallery) PAPERS 2009 “From Art to Life” National Drama Seminar 2008 “Art Direction in Cinemai” Kadir Has Üniversity WORKSHOPS 2016 Altın Yunus Art Ateliers (Yaşar Education and Culture Foundation) 2016 Masala Hotel & Artist Residence 2016 Art Suites Bodrum 2013 5. Orange Flower Art Colony 2012 Meeting with Art at Ra (Erdil Yaşaroğlu ve Sevinç Çiftci) 2012 5. Art Bosphorus Contemporary Art Fair (Painting and Drama) 2011 Moldova SummArt Painter's Campus 2011 4.Art Bosphorus Contemporary Art Fair (Painting and Drama) 2010- 2013 Curiosity Workshop (Bümed) 2009- 2011 Oluşum Drama Institute (Art Movements and Drama) 2009 Sabancı Museum (Painting and Drama) 2008 Rezzan Has Museum (Painting and Drama) 2003- 2005 Television and Child İnteraction (Painting and Drama) 2000- 2001 Schizophrenia Friends Assocation (Painting and Drama) 1998- 1999 Paintings on Clotheslines (Chield Atelier, Painting and Drama) "https://www.instagram.com/sevincciftcistudioNoYesYes" There is a transformation in life and art from childhood to adulthood. When this transformation occurs outside of the child's will, we cannot speak of creative and innovative formations that will shape the future. As we grow up, our choices and preferences are somehow sacrificed to social consensus. The concept of ""early childhood loss,"" which Rilke refers to with the line ""... the unripe fruit that falls from the branch"" in his Duino Elegies, is also a primary subject of my works (growth, the shaping processes of the individual, childhood, etc.). On the other hand, we know that the future is determined by the ""now."" So, who are we sharing the ""now"" with? If we are living in this time only by centering ourselves, this experience will be quite insufficient for us to be happy in the future on Earth, which we share with other living beings. The balance between the strong and the weak will determine the future. In my paintings, I include animals, children, and plants to make them visible. If there is an infringement of rights now, the future will present it to us in an amplified form.
archetypal apple new life
250x250 cm oil on canvas 2023
Shagufta Neyazi
India
The Essence of Red Harmony,"" an abstract painting by Shagufta Neyazi, captivates with its bold and vibrant use of red, black, gold, yellow, and blue. This piece showcases Neyazi's masterful ability to convey complex emotions and ideas through her art, making it a striking addition to any exhibition.
**Color and Composition** : At the core of the painting lies a dominant red, symbolizing passion, energy, and intensity. The various shades of red, from deep crimson to bright scarlet, create a dynamic focal point that draws the eye and evokes a sense of movement and urgency. These red tones are meticulously layered, giving the piece depth and texture. Interspersed with the red are bold strokes of black, adding contrast and grounding the composition. The black elements balance the vibrant reds, creating a harmonious interplay between light and dark, vibrancy and calm. This use of black symbolizes strength and resilience, underlining the passionate fervor of red.
**Gold, Yellow, and Blue Accents** : Gold accents introduce opulence and warmth, symbolizing wealth, power, and divinity. These golden elements catch the light, providing a shimmering quality that changes with the viewer’s perspective, bringing the painting to life. Yellow, associated with joy, intellect, and energy, adds brightness and optimism. Strategically placed, the yellow hues highlight and accentuate certain areas, creating a visual rhythm that guides the viewer's eye across the canvas. Blue, linked with calmness, stability, and depth, provides a cooling contrast to the warm tones of red and yellow. This interplay of warm and cool colors creates a sense of equilibrium and tranquility, balancing the overall dynamic nature of the composition.
Interpretation and Emotion : ""The Essence of Red Harmony"" explores the balance between passion and calm, strength and resilience, joy and tranquility. Neyazi's expert use of color and texture invites viewers to delve into their own interpretations, evoking personal emotions and thoughts. The abstract nature of the painting allows for varied interpretations. Some may see it as a representation of the human spirit with its inherent complexities and contradictions, while others might view it as a landscape of emotions. The title suggests a core theme of finding balance and unity amidst chaos and intensity. **Technique and Style** Neyazi's distinctive style is evident in this piece, characterized by bold brushwork, dynamic layering, and a keen sense of color harmony. Her technique combines spontaneous, expressive strokes with deliberate, thoughtful placement of colors, showcasing her technical skill and ability to convey deep emotions through abstract forms. In conclusion, ""The Essence of Red Harmony"" is a powerful example of Shagufta Neyazi's artistry, embodying her unique approach to abstract expressionism. Its vibrant colors, dynamic composition, and emotional depth make it a compelling piece that resonates on multiple levels.""Shagufta Neyazi is a distinguished abstract expressionist artist known for her vibrant colors, dynamic compositions, and deep emotional resonance. Based in Singapore, Shagufta has established herself as a prominent figure in the contemporary art scene, both locally and internationally. Her journey as an artist is marked by a relentless exploration of color, form, and texture. Shagufta’s art reflects her inner world, capturing the complexities of human emotions and experiences through abstract forms. Her distinctive style combines bold brushwork with meticulous layering, creating pieces that are both visually striking and rich in depth. Shagufta’s work has been showcased in numerous exhibitions across Singapore and internationally, including a solo show that highlighted her unique approach to abstract art. Her ability to convey profound narratives through non-representational forms has earned her recognition and acclaim from art critics and collectors alike. One of her notable works, ""Earthly Reverie,"" has captivated audiences with its evocative interplay of colors and textures. This piece exemplifies Shagufta’s skill in balancing vibrant hues with deeper thematic elements, creating a visual and emotional impact. Shagufta is not only an accomplished artist but also an active contributor to the art community. She organizes workshops, such as the Face and Hand Painting Workshop aligned with the Reborn Motherhood theme, fostering creativity and artistic expression in others. In her latest work, ""The Essence of Red Harmony,"" Shagufta continues to push the boundaries of abstract expressionism. This piece, with its bold use of red, black, gold, yellow, and blue, encapsulates her ability to create harmony amidst contrast and intensity, reflecting her ongoing evolution as an artist. Shagufta Neyazi’s art is a testament to her passion, creativity, and dedication, making her a compelling and influential figure in the world of abstract expressionism.
The Essence of Red Harmony
91cm x 61cm x 1.8cm (measurement without frame) Acrylic and ink on canvas
Shamim Begum
USA
In Nature l found path of creativity and color-full images always are pushing me to focus on my artistic Journey.
Sound of Nature -Colors Of Nature
I always feel it’s creative action in a different objects like Flowers Trees Plants Landscape Animals etc etc that are always inspiring subjects of my paintings.
Ready to Fly
Birds are trying to fly in a infinite space of up and up
and see the everything from the higher level in a higher journey in a higher hope
Which reflects my art journey too
SHAMIM BEGUM EDUCATION Studied Pre-Degree in Punjab University,Lahore,Pakistan B.F.A from Fine Arts Faculty ,Dhaka University,Bangladesh-1977 Studied at Printmaking Workshop, New york ,USA 1988 6 SOLO EXHIBITION New York City -Long Island World Literature Center Khan Tutorial Display Space The New York Art Connection 2 times Bayshore- Brightwaters Public library Center Library Public library GROUP EXHIBITIONS Bangladesh Shilpakala Academy - Dhaka , Bangladesh World Fine Arts Gallery ,New york, USA Bangladesh Embassy,Washington D.C,USA Bangladesh Art, New york ,US Broom Street Gallery,New York ,USA Bronx Museum Of Art ,New York ,USA Zainul Gallery,Dhaka University,Bangladesh Port Jefferson community Center The New Art Connection Bayport -Blue Point public library Sachem public Library Bayport Community Center Bay Area Friends and Fine Arts Bayard Cutting Arboretum Art Workshops Brightview port Jefferson seniors Art Center Exhibition in Foreign Country Expo D’ Art Marrakesh, Casablanca Biennale -Morocco Resim Heykel Museum,Turkey International Art Exhibition Beijing,china Award Award Of Appreciation Expo D’Art Marrakesh,Morroco
Ready to Fly -1
100X100 Acrylic 2021
Shamsa Kanwal
Pakistan
Natural beauty encompasses the awe-inspiring elements of the natural world that captivate the human spirit, offering a sense of peace and wonder. Majestic mountains, with their snow-capped peaks piercing the sky, stand as silent sentinels to the passage of time. These colossal formations, often millions of years old, showcase the Earth's geological history, their rugged terrains dotted with lush forests and serene meadows. Rivers, winding gracefully through valleys, reflect the sun's golden rays, their waters teeming with life and echoing the sounds of nature. The gentle rustling of leaves in a forest, the vibrant colors of a sunset, and the delicate intricacies of a flower all contribute to the planet's breathtaking tapestry.
Oceans, covering vast expanses of the Earth, hold mysteries in their depths and power in their waves. The rhythmic ebb and flow of the tides, the soothing sound of waves crashing on a shore, and the vast horizon where sea meets sky create a sense of endless possibility. Coral reefs, bursting with color and life, are underwater gardens that support diverse ecosystems and remind us of nature's fragility and resilience. Deserts, often perceived as barren, reveal a different kind of beauty with their sweeping dunes, dramatic landscapes, and the tenacity of life that survives in harsh conditions. The night sky over a desert, free from light pollution, reveals a dazzling array of stars, planets, and galaxies, evoking a profound sense of connection to the universe. Forests, whether tropical rainforests or temperate woodlands, are teeming with life and diversity. The symphony of bird songs, the rustle of animals in the underbrush, and the myriad shades of green paint a picture of vitality and interconnectedness. Trees, towering and ancient, stand as guardians of the natural world, their roots intertwined with the very fabric of the Earth. Natural beauty also lies in the subtle and often overlooked details: the pattern of a butterfly's wings, the gentle curve of a river's bend, the way light filters through leaves, casting dappled shadows on the ground. Each element, from the grandest mountain to the smallest pebble, contributes to the overall harmony and balance of the natural world. Experiencing natural beauty, whether through a hike in the mountains, a walk along the beach, or simply sitting in a park, has a profound impact on the human soul. It reminds us of our place in the world, inspires awe and gratitude, and fosters a deep sense of peace and well-being. In an increasingly fast-paced and technologically driven world, taking time to appreciate and connect with nature's beauty is more important than ever, offering a respite from the chaos and a reminder of the simple yet profound joys that the natural world provides."I am painter inspired by the natural world beauty and mystery my painting celebrate color formed and texture and mediated on the relationship between light and shadow and atmosphere
Natural Beauty
18x24 OIL painting 2024
Gallery 24
BIEAF2024 - Old Future
World Artist Invitation Exhibition
BIEAF Steering Committee announces BIEAF2024 participants. 390 artists were selected from 65 countries. The online exhibition will run from September 10, 2024 to February 28, 2025. During this period, offline exhibitions will be held at various galleries in Busan.
Shazia
Pakistan
Title: Transience and Beyond: The Stages of Life**
In the delicate interplay of light and color, my latest painting on glass captures the essence of human existence through the metaphor of flowers at various stages of bloom and decay. This artwork, titled ""Transience and Beyond,"" serves as a poignant reminder of the beauty and impermanence of life, juxtaposing the temporal nature of our earthly journey with the enduring mystery of what lies beyond death.
At the heart of the painting is the life cycle of a flower, a symbol universally recognized for its beauty and fragility. Each stage of the flower’s life mirrors a corresponding phase in human existence. From the tender bud, full of promise and potential, to the full bloom, radiant in its prime, and finally, to the withering petals, fragile and fading—these stages represent the trajectory of a human life.
In the early stages of the flower's life, vibrant hues and intricate details celebrate the vitality and exuberance of youth. The petals are richly textured, their colors vivid and alive, capturing the essence of innocence and the boundless possibilities that lie ahead. This part of the painting invites viewers to reflect on their own beginnings, the dreams and aspirations that once fueled their youthful hearts.
As the eye moves across the glass, it encounters the flower in full bloom, a stunning representation of maturity and fulfillment. Here, the colors are at their most intense, the forms at their most perfect. This phase symbolizes the peak of human life, where one's abilities, experiences, and contributions are at their height. The intricate play of light and shadow across the petals reflects the complexity and richness of a life fully lived, a time of both achievements and challenges. Yet, as the cycle of the flower progresses, the painting also depicts the inevitable decline. The once-vibrant petals begin to fade, their edges curling and darkening, capturing the delicate transition from life to death. This stage, though tinged with melancholy, is not devoid of beauty. The subtle hues and gentle lines convey a sense of grace and dignity in aging, an acknowledgment of the natural order of life. What sets this painting apart is its exploration of life after death. Amidst the withering petals, faint yet discernible, are ethereal forms and delicate motifs suggesting the continuation of existence beyond physical demise. These subtle elements invite contemplation on the mysteries of the afterlife, the spiritual journey that follows the cessation of bodily life. The glass medium, with its inherent transparency and luminosity, adds to this effect, creating an almost otherworldly glow that hints at the transcendence of the soul. ""Transience and Beyond"" is more than just a depiction of the life cycle of a flower; it is a meditation on the human condition. Through the stages of the flower, the painting reflects on the fleeting nature of our earthly existence, urging viewers to appreciate the beauty and fragility of life. At the same time, it offers a glimmer of hope and continuity, suggesting that death is not an end but a transition to another form of being. In this artwork, the interplay of light, color, and form on glass serves as a powerful reminder of our mortality and the enduring quest for meaning beyond the physical realm. It is a celebration of life in all its stages, an invitation to cherish the present, and a contemplation of the eternal.""Artist Bio Shazia Langah is a visual artist. She graduated from the Shaheed Allah Buksh Soomro (SABS) University of Art, Design and Heritages, Jamshoro in the 1st division in 2013. Since her graduation She have been participating in different prestigious art galleries in Karachi, Lahore, and Islamabad for more than a decade.Besides, She is a passionate educator. She has shared her expertise through workshops held in various schools and academies that helped Her to learn diverse things. She also has contributed to CEAD as a teacher and instructor, that's where She explore her skills in miniature art and painting courses. She also has experience in mixed media, where She skillfully fuse different artistic elements, creating thought-provoking and visually captivating pieces. She is hard-working artist and a teacher. Art is not only her profession but it is her passion that has helped Her to evolve in artistic journey.
Transience and beyond
36×49cm
Mix medium on boxboard sheet 2023
Shazwani Rhosky Fadzir
Malaysia
Cystal Waves is the portrayal of the sea in arial view. You look beyonds water till you sea what actually inside the ocean. We need to preserve ocean so that the younger generation can witness it beauty.
Shazwani Rhosky Fadzir is a 40year-old self-taught artist from Malaysia Her artistic journey started in 2021. Most of her art involves freehand spontaneous strokes. She believes that her art can bring love and happiness to her audiences. She prefers to use bold colours in her art but occasionally uses subtle colours depending on the theme that she chooses. She likes freedom in art and loves to experiment with a variety of art styles. Being a bipolar artist gives her a different sense of artistic expression. She is a huge fan of Vincent van Gogh and Claude Monet's works of art. She has participated in many art exhibitions at local and international level, such as in Iran, Italy, Korea, Peru and many more. She I hope to explore the beauty of the art world for the rest of her life.
Crystal Waves
75 x 75 cm Acrylic on Canvas 2022
Sheikh mansoor
Pakistan
"""Every thing you can imagin is real"" picasso
I am S.M.MANSOOR, 65 years old professional, modern & expressioistic artist/author/art educationist. have two publication on my credit about my works with the title of ""MANSOOR MINITURES"" New voice from the miniature painting and retired professor of painting from the local university of my town. Now, working as full time visusl comentator for the expression of my insigt study, observation and understanding toward my sourronding for the Peacefull, secure and justicfull living of every Ordinary souls on this small Plent.
Disription of my given art works. As the visual Comentator trying to show the universal pehnomina of sharing of human being for their countrpart for the search of loving and caring survivals. """"Every thing you can imagin is real"" picasso I am S.M.MANSOOR, 65 years old professional, modern & expressioistic artist/author/art educationist. have two publication on my credit about my works with the title of ""MANSOOR MINITURES"" New voice from the miniature painting and retired professor of painting from the local university of my town. Now, working as full time visusl comentator for the expression of my insigt study, observation and understanding toward my sourronding for the Peacefull, secure and justicfull living of every Ordinary souls on this small Plent. Disription of my given art works. As the visual Comentator trying to show the universal pehnomina of sharing of human being for their countrpart for the search of loving and caring survivals.
Never stop dreaming...
56x70 Executed on paper with acrylic and mixed media in 2024
Shin yong jae
South Korea
새벽 6시 창밖으로 본 하늘의 모습을 핸드폰으로 촬영하고 작업실에서 촬영한 사진을 보며 그린 그림이다. 새로운 일을 시작하면서 작업을 할 수 있는 환경에 대한 변화에 적응하기 위해 시작한 그림이며 같은 시간과 장소에서 바라본 하늘을 그림으로 기록해 보았다. 작업은 주로 사생을 통해 진행되며 자신의 삶을 다양한 매체로 기록하고 있다. 자연의 모습에서 시각적으로 보이는 색을 빌려오기도 하며 그리는 순간 몸으로 감각할 수 있는 느낌들을 붓질을 통해 캔버스에 남긴다. 현재의 시간을 어떠한 형식으로 표현하여 이야기를 전달할 것인지에 대해 고민하며 그 순간 자신의 상황을 정확히 전달하려 한다.
7월1일 6시
53.0x65.1cm Oil on canvas 2024
Sibel KUTLUCA
Turkiye
The state of being whole
with soil, wind,
with rain, birds,
with insects,
with my roots and branches,
a continuum
and with diversity,
giving and taking
Decreasing and increasing
turning into a tree
how nice
and ordinary
and miraculous.
- by Sibel Kutluca
Artist Sibel Kutluca starts out from her memories and feelings about nature in this series of works, and produces works of art about feeling a sense of oneness within the cycle of life as she gets closer to herself.""Sibel Kutluca Contemporary Artist | Mugla, Turkey BORN IN 1978 Contemporary Turkish Artist Lives and works in Turkey. CREDITS Painter - Art Teacher Marmara University Faculty of Fine Arts Painting Department Degree International Exhibitions International Art Workshops For Artist Sibel Kutluca, the act of producing is a way to reach one's own essence, the essence of life, and to feel wholeness.
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Trace
21x29,5 cm
mixed technique on paper 2023
Sin Kwang Soo
South Korea
주제를 통한 작가의 시각(의식+전의식)으로 바라본 현실을 형상화해서 작가 본인의 이야기와 현 사회에 대한 문제를 의식적으로 표현한 작품.
현대인들의 지나친 물욕과 욕망으로 인한 자연파괴 등 이런것들로부터 본래의 착한 본성으로 돌아가기를 기원하는 내용.
그려지는 그림(비의식적 형상화)을 그리는 그림. 우연성의 화면추구.
추계예술대학 졸업 개인전 7회 작품을 통한 타인과의 선한 교감을 하고싶은 그리고 노력하는 아티스
Prayer
94x80 oil on canvas 2023
sofieg
French
This painting represents flowers which are reborn following a disaster that we see in the background.
Self-taught in the field of abstract painting, for 6 years, I have developed my art with undeniable passion. With previous experience as a hairdresser, I have always expressed my creativity through through different mediums.
Attracted by color, graphics and shapes, I perfected my art by exploring several styles and experimenting with different painting techniques. My taste for electro pop music coincides with very colorful pop art and the soft music of piano with the more structured side. My artistic process is characterized by an exploratory and intuitive approach. In starting a painting, I do not have a predefined vision of the final result, I leave my intuition guide my brush. This creative freedom is reflected in my abstract works, offering each observer a unique and personal experience. I use different supports such as canvas, iron, wood, sheet metal. I love giving another life to objects obsolete and amorphous. I like to dress body fragments and sculpt animal heads to give them charm other than trophies, give them a second chance to be beautiful and happy. I like to play with textures and materials, mixing acrylic with various elements such as collage, coating, sand and papier maché to create striking relief and contrast effects. The use of glaze gets me through gradients to add depth to my creations. To date, I have produced several distinct series, each exploring themes and styles different. I invite you to discover me.....
sofieg
80 x 100 cm
acrylic paint, modeling paste. 2022
Sojeong Park
South Korea
바쁜 현대 일상에 쫓겨서 지친 심신을 리프레쉬 할수 있는 트로피컬 대자연의 열대나무와 식물, 바다 풍경이 있는 아름다운 공간에서 휴식하며 힐링하고자 하는 심연과 열망을 표현함
신한대학교 디자인예술대학 K-뷰티학과 교수 -신한대학교 대학원 뷰티패션콘텐츠학과 뷰티디자인전공 주임교수 -(사)한국일러스트레이션학회 이사 -Invited KSIR 2024 International Exhibition at Qingdao University(China) -Invited 51st SOKI 2003 International Exhibition by Galerie L'Onyx(Canada) -Invited GDA 2022 Internaional Invitational Exhibition -Invited BIEAF 2020 Eco Contemporary Art Internaional Exhibition
Beautiful Rest
53x72.7
Acrylic color on panel board 2023
Solveig Haugen
Sweden
The lovely sunny summer days delight in this colorful flowers. In my fantasy I could fell in these lovely bloom their unforgettable scent.
I live and paint in a small Village in the middle of Sweden. The open nature is the highest inspiration for my paintings. The Forests are like parks where you can see the light coming through the trees, guiding the visitors. In the same way my Art will guide people and also let them make their own impressions.
When I met Vedic Art, with it's free kind of intuitive creating, I felt like coming home. I want the visitors to have their own feelings about nature rather than see a picture like a Photo
Now I paint with Acryl colours but during periods I also used Oil and Aquarel colours, I started to paint in 1997 like to travel and have visited many parts of the world; India, Africa, America and several countries in Europe My paintings show the simple and magic of nature. I am a teacher of Vedic Art for Adults and also for Families.
Summer Hymne
53x72.7
30cm x 40cm Acrylic year 2024
Son Da Un
South Korea
파랑 [波浪]은 '잔 물결과 큰 물결' 을 말합니다. 이는 시간의 흐름에 따라 잔잔하게 번져가는 과정에서 우연적으로 드러나는 이미지 입니다. 계획하지 않은 행위를 반복하며 어떠한 결과를 기대하기보다는 흘리거나, 찍어내는 등의 과정에 초점을 맞추어 작업한 것입니다. 충분한 시간이 흐른 뒤 겹겹이 쌓여있는 종이를 한 장씩 들춰보면 각기 다른 형태의 자국이 하나의 이미지를 만들어 내어 완성됩니다.
저의 인생 목표는 대부분 외부에 존재했으며, 사회가 만든 틀 안에 종종 구겨져 있곤 했습니다. 문득 내면에 자리 잡힌 나의 영역보다 타자의 영역이 커지고 있음을 깨닫고, 스스로의 존재 이유를 찾기 위해 무작위로 떠오르는 조각들을 거슬러 올라가 보니 그 혼돈 속에 명확한 이미지들이 존재했습니다. 제 작품은 의식의 출처와 근원을 찾는 나 자신의 영역 확대의 시작이자 자아의식 탐구 과정의 기록으로 부터 시작합니다.
파랑 波浪
47.0X19.0
종이에 아크릴 과슈 2024
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Son Muk Gwang
South Korea
내가 그리고자 한 것은 일상성 속에서 만나는 - 너무나 익숙하여 예사롭게 스쳐 지나는 - 대상을 새로운 눈으로 담아보고자 하는 사유의 표현이다. 풍경의 재현이 아닌, 진경산수(眞景山水)를 바탕으로 한국산천의 내밀한 변화, 그에 따라 호흡이 달라지는 나의 내면을 담는다.
풍경은 진부하지만 작가의 포충망을 지나는 순간, 낯익은 대상을 전혀 새롭게 변화되게 만드는 것이 작가의 힘이다.
대학과 대학원 사진전공 개인전 55회 단체전 250회 수상/DAF국제아트페어 최우수작가상, 한국미술진흥원 최우수작가상 대한민국선정작가 초대작가 출판/한국의 석탑108선. 사진으로 읽는 한국의 마애불. 탑-선채로 천 년을 살면 무엇이 보일까
뷰티풀코리아
120x80cm
한지 피그먼트프린트 2024
Sonal Gupta
India
"I realized that the old future is so precious for me which has tremendous impact on my present life. It has been transformed into the bright and golden present. I relate the old future as my long years back of struggles and conflicts which was the process towards the bright future. The steps I have taken in the past have become gradually the golden steps. I can say that the human race is the evolution to become golden era where we are enjoying the transformed life due to our tremendous efforts in the past. Therefore, I have created the “Golden steps’.
"MFA in Art Education from JMI University new Delhi 2010 BFA from paintings(Graphics) from Allahabad University 2004-2004 Group Show /camp ●2024 Pan Indian residency organised by shailja art gallery Gurugram ●2024 HARNOOR National art camp Bhopal. ●2024 National art workshop Karam Bhumi patanitop Jammu . ●2023 A Group exhibition ' ehsash' in lalit kala academy New Delhi ●2022 participated A Vasanth Rao Curation Projects 'Nari Naraynani' ●2022 group show INIT Show Case 2.0 in bhopal ●2022 online art camp Heena bhatt art ventures ' Mystic moods' ●2019 a group show ‘Rangotri’ at bharat Bhawan Bhopal. ●2018 National Art camp organized by lalit kala academy. ●2018 international camp organized by Bihar government. ●2018 Selection national fine art Amritsar . ❖2017 Uttarayan Art camp at uttarayan art center Vadodara. ❖2017 Selection national fine art Amritsar . ❖2016 Art Beyond Boundaries an international art exhibition at Bharat Bhawan Bhopal M.P. ❖2010 M.f. Hussain art gallery New Delhi. ❖2009 M.f. Hussain art gallery New Delhi. ❖2009 Graphics works in M.f. Hussain New Delhi. ❖2009 Green Mark art gallery New Delhi. ❖2008 6th Kalam festival in JMI Faculty New Delhi. There are so many things in this world that human can only think or feel of but can be seen through a way and that is Art. To show that inner feeling and bond. I took various figures from nature, with aim that these feelings in form of art can be reached to every level of society. The balance between human and nature and the depth of bond between them gives a position boost to my work. In present time, my work shows bond between life and society with human figures as a center. I took bandages patterns that surrounds it and that to with different meaning in each pattern. Sometimes it is Vandevi or Gandhari and other time it is roots of society. These bandages pattern some time mingle in each other and sometimes it separate from each others, which is an important part in my work . This pattern can be understood easily by every level of society and with that aim in mind I want that my work should reach every part of society and can be understood my message even by a common man"
The Golden steps
76 x 92 Ink and Acrylic on canvas/ 2024
Song Hyoun Ju
South Korea
푸른공간은 새로운 신비의 공간이고 자유와 ㅡ모험의 세계다. 때때로 평온하지만 단조로운 일상의 공간에서 다이나믹한 다른 세상을 갈망하고 꿈꾼다. 그곳은 희망이나 쉽게 벗어나지 못하는 나의 모습을 담았다.
부산대학교 서양화를 전공했습니다. 다수 단체전과 개인전 1회를 했습니다. 자연,일상의 모습을 담아 그리는것을 즐겨 합니다.
푸른공간
30x40 아크릴 2024
Sonia Cabañas
México
FLORA is the representation of plants or flowers that resemble birds.
I was born in Mexico City, Mexico and since I was little I liked painting and drawing, as well as dancing, singing and I learned to play the piano.
I studied painting and drawing at the now defunct National School of Plastic Arts “Academia de San Carlos” of the National Autonomous University of Mexico.
I have participated International individual and collective exhibitions, in person and online.
I dedicate myself to painting, drawing, ceramics and working with papier-mâché.
FLORA
42cm x 60cm Acrylic on paper
Sonia Nasit Khan
Pakistan
My work is based on inner feeling sensitivity. With great interest in figurative work and traditional motif, my work usually explores feelings and its relation with surroundings in variety of mediums that ranges from oil to pencil drawings.
I am Multan based artist. My qualification is Phd (Scholar), MPhil (Art History), MFA (Painting) from College of Art & Design, University of Punjab. Currently, I am working as an Assistant Professor in Women University Multan
Identity
22x14 inch ( without frame)
gouache on vasli 2023